Zone du titre et de la mention de responsabilité
Titre propre
Emmanuelle Loubet fonds
Dénomination générale des documents
- Supports multiples
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Cote
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
Zone de description matérielle
Description matérielle
6 optical discs
3 videocassettes
9 audio cassette tapes
1 graphic score
1.62 GB of digital material
11.28 GB of sound recordings
2 pillows
10 pachinko balls
3 coins
Less than 0.5 cm of graphic and other materials
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Emmanuelle Loubet was born in France. After obtaining her Masters in Musicology at the Sorbonne in Paris, Loubet went to the Technical University of Berlin with a DAAD scholarship. From 1981 to 1986, she conducted research on Claude Shannon’s Information theory, and electronic music, while also experimenting with computer music and musique concrète at the Tonstudio of the university. In 1985, she obtained her PhD in Musicology from the Sorbonne and then moved to Tokyo in 1986. She worked as an author and producer for some of the most prominent public radio broadcasting stations in Europe, including ARD in Germany. It was at this time that she developed a keen interest in the acoustic environment. She recorded Matsuri, a type of religious festival, from across Japan as well as popular epic singing from the Kawachi area in western Japan. Beginning in 1996, she became an autodidact in new media with an interest the dynamisation of sound snippets/data by real time programming as well as the automation of acoustic documentaries. In 2009, she received a diploma in Site Development and Server Administration from the Conservatoire National des Arts et Métiers (CNAM). She immigrated to Quebec in 2008 with the goal of working on sound projects for automated web platforms, as well as publications about the music and sounds of Japan. In 2012, Loubet moved back to Japan to pursue her career in audio and new media. As of 2016, she is a professor at Osaka University of Law and Economics.
Selected works by Emmanuelle Loubet:
- Sound Locator, database driven online audio project (2007)
- Sound Polaroïds, ABC (Australian Public Broadcasting Station, Sydney, 2003)
- Sound Recycling, Infomercial (National Panasonic / Dentsu, Japan, 1999)
- The Sound Recycler, Prototype for an Online Virtual Reality Production based on Sound (with the support of the Research Department of Kobe College of Electronics, Hyogo Prefecture and the Ministry of Sciences & Education) (Japan, 1999-2001)
- Cyber Kawachi audio-graphics (co-production with the Banff Center for the Arts, Alberta, Canada,1997)
- Kawachi Suburban - Sound Polaroïd (37'00, WDR, 1994)
- Typhoon and Black Holes - Splinters from a Samuraï House (33'30, WDR, 1992)
- Tokyo im Rennschritt - Sound Polaroïd (60'00, WDR, 1990)
Historique de la conservation
Portée et contenu
Fonds consists of material relating to Loubet’s artistic and professional practice, and especially to the projects documenting the epic story singers of the Kawachi area (Osaka Prefecture) (Kawachi Ondo, Goshiu Ondo, Senshu Ondo). The fonds is divided into six series based on various projects reflected in the fonds. The material in the fonds includes sound recordings (produced by Loubet), video documentation, digital photos, software that contains the Cyber Kawachi project, a graphic score and promotional material.
Zone des notes
État de conservation
Source immédiate d'acquisition
Material for the Cyber Kawachi project was donated to Banff Centre Archives by Emmanuelle Loubet in 2018. Additional material was donated by Loubet in 2019. Both donations were organized and shipped by Emmanuelle Loubet.
Classement
Series were organized by project in keeping with how the material was shipped to the Archives.
Langue des documents
- anglais
- français
- allemand
- japonais
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
Production right of the sound recording of “Metropolis Tokyo: Tokyo Im Rennschritt (Sound Poloroid)” remain with WDR and copyrights with Emmanuelle Loubet.
Délais d'utilisation, de reproduction et de publication
Instruments de recherche
Générer l'instrument de recherche
Éléments associés
Accroissements
Note générale
Only some material in the fonds has been digitized. Please contact Banff Centre Archives to explore the whole fonds.
Identifiant(s) alternatif(s)
Zone du numéro normalisé
Numéro normalisé
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
- Loubet, Emmanuelle (Sujet)