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Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.

Collection consists of documents donated by Centre alumni including photographs of faculty and students (1933-1934), a bound volume of plays compiled by Elizabeth Haynes for use in drama courses (1933-1934), performance programs and photographs (1954), and ceramics demonstration photographs (1954).

Fonds consists of record series relating to administration, touring, professional development, alumni, community classes, and the Elderhostel program.

Fonds consists of administrative files, program evaluations, audio recordings from the Access Radio program Work in Progress, and International Symposium of the Arts files.

Collection consists of photographs of campus facilities and equipment, displays and exhibitions, art objects, and students, staff, faculty, and guests in classes, rehearsals, performances, receptions, and conferences, taken by contract photographers and Centre staff. The photographs are arranged chronologically within subject areas: Applied Arts (1951-1969), Banff ([1940-1960]), Campus and Activities ([193-]-1983), Ceramics ([194- ]-1980), Dance (1947-1979), Drama (1945-1984), French Department (1945-1977), Literary Arts (1946-1978), Music (1947-1986), Music Theatre (1964-1982), Opera (1952- 1982), Portraits ([193-]-1982), Skating (1962-1972), Theatre Craft (1951-1985), Visual Arts ([193-]-1979), and Weaving ([194-]-1979).

Fonds consists of photographic documentation of Centre events and individuals, arranged chronologically within subject and program areas.

The collection consists of a broad range of records and media generated throughout all stages of the 1982 Canadian Everest Expedition, from the advance promotional and logistical preparations in Canada and Nepal through to the realization of the expedition in Nepal, and post-trip presentations within Canada. These materials were primarily assembled by Jim Muir, whose Montreal-based company Programmed Communications Limited was in charge of organizing and maintaining the expedition’s photographs and slides, as well as developing presentations and other promotional activities.

The collection is divided into 6 series and two sous-fonds, with the arrangement reflecting the diversity of the types of materials accumulated, as well as the organization of Muir’s own administrative files. The collection includes Muir’s correspondence and administrative papers from the expedition, press clippings and selected publications related to the expedition, photographs and slides taken by expedition team members and other press affiliates in Canada, Nepal, and on other training climbs around the world, film and video (both raw footage shot in Nepal by expedition members, as well as news programs and promotional presentations), and a vast selection of audio material (both field recordings and Base Camp transmissions, as well as more-formally produced presentations and radio programs). One sous-fonds contains oral history interviews that archives practicum Abigail Sebaly has conducted with expedition team members and affiliates in 2018.

Fonds consists of material relating to Prothroe's professional life, personal life, and personal interests. The fonds is divided into nine series which reflect the many items found in the fonds. Materials in the fonds include textual records (both by Prothroe and by others), scripts, programs, articles (about Prothroe and others), photographs (personal and professional), and other material.