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The fonds consists of scrapbooks, programs, brochures, and newsclippings regarding drama events; an interview regarding theatre history (1971) and related notes; and photographs of theatrical productions of Northside Players, Sacred Heart Young People, and Calgary Civic Theatre.

The fonds consists of photographs of people and events including: 2000 Trans Canada Trail Relay; 2000 Agricultural Parade; receipts for car purchases from Hunter Motors Ltd. and articles concerning national and local issues in the United Church of Canada, 1980-1991. The photographs include: Robert Berrea, Dave Chatters (MP), Lionel and Tannia Cherniwchan, Jacques Jean, Paddy Jordan, Ron Opmeer (Rev), Garold and Barbara Toews, 2003 Foodgrains Bank harvest, Athabasca clay pits, Jake Burritt residence decorated for Christmas 2003, Amber Valley Community Potluck Sept.2004, and West Athabasca School "A Taste of Athabasca" Apr.2005. There are 51 photographs of Athabasca Pottery Discovery Day, June 21, 2009 which include photographs of Conrad Biernacki, program manager, and Brian Musselwhite, assistant curator, Royal Ontario Museum; Cathy Roy and Lucie Heins, Royal Alberta Museum; Carrie-Ann Lunde, Alberta Museums Association; Alfred Messerli, potter; Andreas Bayer, Honorary Consul for Switzerland; Marilyn Mol, Athabasca Archives; Gene and Gail Sabo, Terry (Knittle) Rains, Bob and Carole Tannas, Ed Pohranychny, Dorothy Nielsen, and Rosie Guay as well as audience members.

Fonds consists of drawings, display material, microfilm, aperture cards, specifications, correspondence, and office files from the architectural practice of Dale Chandler Kennedy Partnership, 1955-1982. Significant projects include: Palliser Square, Calgary, AB; Olds Agricultural and Vocational College, Olds, AB; McLaurin Village, Calgary, AB; Hull Estates, Calgary, AB; Chevron Plaza, Calgary, AB; Eau Clair Complex, Calgary, AB; Lindsay Park Aquatic Centre, Calgary, AB.

The fonds consists of 1 audio cassette dating from 1991, recorded by Dale Fortier, and entitled "Stuck in the Middle Class".

Fonds consists of letters from poets Earle Birney, George Bowering, Frank Davey, David Dawson, Al Purdy and others, discussing poetry, the TISH poetry group and various other topics; letters from Louis Dudek, Fred Cogswell and Victor Coleman relating to D. Bromige's submission of poetry to various periodicals for publication consideration; correspondence with Atlantic Monthly relating to a poem by G. Bowering published in that periodical; and manuscripts of poetry by G. Bowering and an analysis by D. Bromige of G. Bowering's poem The red hot element.

Fonds consists of Earle Birney textual records, 1896-1971, n.d. recordings of Birney reading his works, 1967, 1982; and portraits of Birney, ca.1967. Textual records are excerpts from the Earle Birney papers pertaining to Banff and the Canadian Rockies; including correspondence, 1918-1924, biographical material, 1971, drafts of poems, 1941-1952, printed material, 1948-1970, and Birney family correspondence, 1896-1917. Poems include: "Ballad of Kootenay Brown", "Biography", "Bushed", "Conrad Kain", "Holiday in the Foothills", "Leaving Yellowstone", "Oldster". Correspondence is mainly from Charles Brown to Birney. Printed material includes short story: "Mickey was a Swell Guy," set in Banff during the First World War. Recordings are "David" [1967] and "Nexus and Earle Birney", 1982

The fonds consists of two orchestral programs, and one photograph dating from [1939] of the Drumheller Orchestra.

The fonds consists of a reel of 16 mm silent film taken in the Eaglesham area and on the Lassiter Project.

The fonds consists of the operating records of the Edmonton Symphony Society; the records have been divided into the following series: Board Records (PR0014.0001), Administrative Records (PR0014.0002), Personnel Records (PR0014.0003), Financial Records (PR0014.0004) and Marketing Records (PR0014.0005).

The fonds consists of the records of the Edmonton Youth Orchestra and Edmonton Youth Orchestra Association and includes correspondence, newspaper clippings, orchestra member lists, programs and pamphlets, festival performance remarks, award certificates, financial statements, minutes, reports, newsletters, and an audio recording of reminiscences of Keith Bissell, the first EYO conductor.