Fonds consists of material related to the planning and administration of the Banff International String Quartet Competition. It includes administrative records, audio recordings (of quartet performances, events, and radio broadcasts of the competition), the scores of works commissioned to serve as the competition's imposed piece, promotional material (including programs, posters, and merchandise), photographs (of the performing quartets, jury members, and competition events), and video recordings (of performances, events, and interviews). The fonds is arranged into series for each iteration of the competition, as well as a series of general administrative material, which pertains to the competition as a whole.
Fonds consists of directors minutes, annual reports, personnel files, financial records, general administrative files, membership files, performance documentation, and subject files of members of the board and staff, including director Neil Armstrong (1976-1981).
The fonds consists of documents gathered for the biography of Zoltan Szekely, including photographs and copies of material referred to in the book. It also includes scores of Szekely's works, edited and transcribed by Kenneson.
Fonds consists of material relating to Loubet’s artistic and professional practice, and especially to the projects documenting the epic story singers of the Kawachi area (Osaka Prefecture) (Kawachi Ondo, Goshiu Ondo, Senshu Ondo). The fonds is divided into six series based on various projects reflected in the fonds. The material in the fonds includes sound recordings (produced by Loubet), video documentation, digital photos, software that contains the Cyber Kawachi project, a graphic score and promotional material.
Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.
Fonds consists of administrative files concerning the planning of the conference, broadcast arrangements, adjudication, and contracting, conference programs and proceedings, publicity materials, and sound recordings of conference sessions and concerts.
Fonds consists of material relating to Prothroe's professional life, personal life, and personal interests. The fonds is divided into nine series which reflect the many items found in the fonds. Materials in the fonds include textual records (both by Prothroe and by others), scripts, programs, articles (about Prothroe and others), photographs (personal and professional), and other material.
Fonds consists of administrative and subject files of Leighton Artist Colony Head Michael Century (1984-1987) and Colony Coordinator Thom Barnes (1987-1989).
The fonds consists of material relating to the planning and proceedings of The Tuning of the World conference. The fonds is divided into five series which reflect the many items found in the fonds. materials in this fonds include procedural files including correspondence, budgets, reports, and planning documents belonging to Tuning of the World Conference Director Timothy Buell and Conference Administrator Annie Hillis. The fonds also includes photographs and recordings relevant to the conference.