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Fonds consists of correspondence; programmes for dramatic productions; newsclippings; photographs; miscellaneous material including adjudications; scripts; and realia.

The fonds consists of four series: personal photographs of Clarence and Edith Field; glass plate negatives and portraits from the Ponoka Studio; studio portraits and town/farm snapshots from the Grande Prairie Studio; and a small series of postcards.

Fonds consists of correspondence; manuscripts of novels, poems, poetry collections, short stories, screenplays, opera libretto, music scores, translations, speeches, essays and proposal for an unwritten biography; material relating to conferences, writers festivals and workshops; works about G. Gunn and published works.

The fonds consists of materials used, created, and maintained by Geoffrey LeBoutillier to produce what became an unrealized dramatic interpretation of Dr. Mary Percy Jackson life entitled "The Stick". The fonds includes newspaper clippings and articles related to Jackson's career, footage and interviews with Jackson dating from the early 1980s, audio recordings of Jackson addressing school children in Thorhild, Alberta in 1984, drafts of the "Stick" by Geoffrey LeBoutillier, and correspondence from Mary Percy Jackson critiquing "The Stick".

Fonds consists of etchings depicting various scenes throughout Edmonton created by George Brown.

Fonds consists of letters from Kingston, Ontario, Goose Bay, Labrador, Montreal, Quebec, Bread Loaf, Vermont, Heisler, Alberta, Edmonton, Alberta, Mexico, Oakland, California, Iowa City, Iowa, Winnipeg, Manitoba, and Victoria, British Columbia, discussing Robert Kroetsch's social life, work, writing and plans for R. Kroetsch's trips to New Zealand, as well as critiquing G.C. Gahan's writing

Fonds consists mainly of poems by Gordon Burles, 1970-2003; includes twenty-two hundred works, some with revisions. Some pertain to personalities such as Bill Peyto, Norman Sanson, Margaret Stone, Walter D. Wilcox, Walter J. Phillips, Conrad Kain and Georgia Engelhard. Also includes manuscripts, research materials and notes etc. regarding Bill Peyto, Copper Mountain Mine, Banff National Park museum and logging roads in Johnson Lake area. Photographs pertain to remains of hay rake and wagon at Vermilion Lakes, 1975 and remains of the Queen of the Hills Mine, near Silver City, 1977. CD-ROMS's contain typeset copies of manuscripts by Gordon Burles in Pagemaker, In Design and .pdf file formats. Manuscripts include "The Jagged Harmony," 2005, "An Avenue Without End," 2005, "That Perfect Elsewhere," n.d., "Much Like A Dream," 2004, "All the Universe of Sight," 2006, "Those Grand Poplars," 2004, "Lords of Many Orchards: Selected Best Poems of Gordon Burles," 2003, "That trellis of tombs: Further Selected Poems of Gordon Burles," 2004, "The Closing of Many Doors: More Poems by Gordon Burles," 2006.

Collection consists of manuscripts of Illingworth Kerr's autobiography Paint and circumstance including research material; published works illustrated by I. Kerr; Christmas cards by I. Kerr; exhibition catalogues of I. Kerr's work written by G. Snyder; photographs and slides of I. Kerr's art; photographs of landscapes, animals, etc. used as studies for I. Kerr's paintings; Kerr family photographs; works on I. Kerr; slides of John Snow's art; articles and other works by G. Snyder; clippings, photographs, slides, exhibition catalogues and brochures relating to other artists including R.F.M. McInnis, Kathryn Youngs, Louis de Niverville, Jack Shadbolt and Ken Christopher; and miscellaneous.

Fonds consists of contracts, budgets, correspondence, grant proposals, notes, promotional material, photographs, photocopies of research material, newspaper clippings, videotapes, audio recordings, digital photographs, and digital images of paintings for art curator Gordon Snyder's exhibit and book on artist Nicholas de Grandmaison which was mounted and published in 2007. Also includes proofs for the book and a copy of his published book, Drawn from the Past: Nicholas de Grandmaison and two framed lithographed art reproductions of Nicholas de Grandmaison pastels published by Last Arrow Ltd.: "Blackfoot Brave" and "Chief Coldweather". Videotapes include footage regarding the 1982 Glenbow exhibit "History in Their Blood" and a copy of de Grandmaison family home movies that are in the holdings of the National Gallery of Canada. Audio recordings include copies of audograph discs, for which the originals are held at the University of Lethbridge Art Gallery. These consist of interviews that Nicholas de Grandmaison conducted with portrait sitters, mainly First Nations people from the 1950s and 1970s. Audio recordings also include a copy of the CBC radio program "Faces Lit in the Dark" and original oral history recordings of Nicholas de Grandmaison and family members.
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The fonds also consists of material is directly related to Snyder's work as a curator, artist, and gallery owner. There are negatives, slides, and .jpeg/.tiff photos that depict images of Snyder's work or the work of artists that were curated by Snyder in a gallery, festival, or touring exhibit. These images are identified with the name of the artist also noted and provide evidence of the role and work of a curator.
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There is also textual material (including files on the computer disks and on some of the CD-ROMs) that provides evidence of the working life of a curator and includes correspondence with artists and art dealers, drafts of program notes, printed programs that Snyder contributed to, and financial information that shows the business side of art management.
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There are audiocassettes that feature recorded artist talks given by Les Graff and Andy Fabo about their work. Snyder had dealings with both artists and these talks provide informational value related to their work and further evidential value concerning the arts milieu.
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Among these records, specific projects are particularly represented. These include major touring exhibits such as Through Alberta Eyes: The Photographs of Orest Semchishen and Snyder's involvement with The Works International Visual Arts Society and its annual arts festival.

Fonds consists of personal and business correspondence; manuscripts; published works; audio visual; works by other authors and miscellaneous.