Fonds consists of records generated as part of Action Poetry ‘94, a symposium and workshop of the spoken word. Records include video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographic contact sheets, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events.
Fonds consists of records generated by the Association of Canadian Women Composers (ACWC), including the Association’s formation and its subsequent activities. The bulk of the records concern the administration of the Association itself and address issues related to governance, financial management, and member recruitment. Other records concern the Association’s public activities, including sponsorship of concerts featuring works by Canadian women composers and other public initiatives intended to increase awareness of and provide support for Canadian women composers. Records include correspondence, financial records, minutes, publications, press releases, media clippings, membership records and other material.
Fonds consists of material relating to Loubet’s artistic and professional practice. The fonds is divided into six series based on various projects reflected in the fonds. The material in the fonds includes sound recordings (produced by Loubet), video documentation, digital photos, software that contains the Cyber Kawachi project, a graphic score and promotional material.
Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.
Fonds consists of material relating to Prothroe's professional life, personal life, and personal interests. The fonds is divided into nine series which reflect the many items found in the fonds. Materials in the fonds include textual records (both by Prothroe and by others), scripts, programs, articles (about Prothroe and others), photographs (personal and professional), and other material.
The fonds consists of documents gathered for the biography of Zoltan Szekely, including photographs and copies of material referred to in the book. It also includes scores of Szekely's works, edited and transcribed by Kenneson.
Fonds consists of management and administration records for the Writing, Publishing and Arts Journalism (now Literary Journalism) programs, as well as newsletters, and sound recordings of public talks and readings as well as in-class lectures.
Fonds consists of material related to the planning and administration of the Banff International String Quartet Competition. It includes administrative records, audio recordings (of quartet performances, events, and radio broadcasts of the competition), the scores of works commissioned to serve as the competition's imposed piece, promotional material (including programs, posters, and merchandise), photographs (of the performing quartets, jury members, and competition events), and video recordings (of performances, events, and interviews). The fonds is arranged into series for each iteration of the competition, as well as a series of general administrative material, which pertains to the competition as a whole.