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Archival description
Series Art English
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Beth Sheehan, Historian

The sub-series consists of an index of material collected from pioneers in the Peace Country of Alberta by York University; a source list of material compiled in the Provincial Archives of Alberta on the Grande Prairie area before 1982; lists of archival material donated by Beth Sheehan to the Provincial Archives and the Grande Prairie Public Library; and cards with the names of Clairmont residents prepared for the 1978 Census.


Series consists of approximately 2,100 photographs taken by Hubert Hollingworth, documenting life in Edmonton during the 1930s, 1940s, and 1950s. These include portraits, street scenes, buildings, and events.

Irene Prothroe: Calgary Allied Arts Centre files

Series consists of materials relating to Irene Prothroe's activities with the Calgary Allied Arts Centre Theatre. Irene served as the Artistic Director & Theatre Manager of the Arts Centre Theatre from 1960 to 1964. The Allied Arts Centre was the first Regional Theatre in Alberta, and Irene was instrumental in developing the theatre's repertory standard. The Arts Centre Theatre is now occupied by Theatre Calgary.

Clubs / Entertainment Venues

Gay clubs and bars operated openly in Edmonton from 1969 onwards. The first club established (ca. 1969) was called Club 70 and was located at 10242-106 street. It ceased operating in 1977, and at this same location was briefly the Cha Cha Palace (late 1970’s), Boots and Saddle Nightclub (ca. 1978-2010), and finally The Junction Bar and Eatery (2010-2012). Boots and Saddle also operated Boots: the Blue Room, Simply Boots, and the Garage Burger Bar (1997-2010). Flashback Nite Club opened first in 1976 at 11639 Jasper Avenue, and then relocated to 103rd Avenue and 104 street, closing ca. 1991. The Roost Club opened in September 1977, initially open for men only, but expanded to include women in the following year. Buddy’s Nite Club opened on 124 street in ca. 1994, remaining there for 15 years, and operated its final six years on Jasper Avenue, closing in 2015. Other LGQBT bars in Edmonton included Prism, for queer women, closing in 2010; Woody’s Pub on Jasper Avenue; Secrets Bar and Grill on 107th street; and Play Nightclub downtown. Another organization important as a social and entertainment outlet for Edmonton’s gay community was The New Royalist Social Society of Northern Alberta: The Imperial Sovereign Court of the Wild Rose, established in Edmonton in 1976 as part of an international Imperial Sovereign Court system. As well as providing entertainment for the gay community, the Imperial Court expanded its role to raise funds for gay and gay positive charities, and established a scholarship fund and the Star of Hope fund. Many of the gay bars and clubs hosted fundraising events or partnered with other organizations to raise monies for local community initiatives. [Some information provided by Rob Browatzke of The Junction.]

This series consists of records of some of the clubs described above, but predominantly Club 70; the Imperial Sovereign Court of the Wild Rose (ISCWR); and The Roost Nightclub. There are early administrative records for Club 70, as well as newsletters and photographs. ISCWR records include Coronation programs and information from the first coronation in 1976, and then further programs and records from courts held from 1985 to 2009. There are numerous event and promotion files for The Roost Nightclub, including monthly event calendars, broadsheets and flyers, news clippings and event posters. There are hundreds of photographs, as yet uncatalogued, primarily pertaining to events and functions held at the clubs. Included with the records were Roost Nightclub plaques and trophies.

The Vocal Minority Music Society / Edmonton Vocal Minority

The Vocal Minority Music Society (VMS) formed ca. 1983, was, according to member Herbert Tay, the first mixed gay choir in Canada, and the second gay choir to be formed, following the Vancouver Men’s Chorus. The choir’s mandate was to provide a cultural organization to bring together singers, musicians, and interested individuals, both gay and gay-supportive. Their printed goals state they wanted to foster interaction between lesbian women and gay men, as well as between the gay community and the rest of society. The choir met weekly, and new members were on a one-month trial period. The choir was particularly active from 1983 through 1985, taking part in Canadian Gay and Lesbian Association (GALA) choruses and performances. However, by 1986 their numbers were dwindling and with interest waning, the Board of Directors for the Vocal Minority Music Society announced its dissolution in May 1987. In 1993, a new LGBQT choir, Edmonton Vocal Minority (EVM), was started by David Hicks who was active at that time with the Gay and Lesbian Community Centre of Edmonton. The name of the newly-reestablished choir was a nod to its predecessor, and EVM continues to perform in several self-produced concerts each year, and actively participates in the Canadian GALA choruses Festivals. The choir remains committed “to playing a vital role in preserving and celebrating the rich culture and history of the Queer community, while at the same time championing equality and embracing the diversity of all people regardless of sexual orientation”. (EVM webpage:

This series consists of records primarily created by The Vocal Minority Music Society, and includes administrative records as well as records around their activities and associations. There is a collection of published music and a file of photographs related to both the VMS and EVM. Included with the papers are EVM programs and GALA Festival information along with one EVM newsletter.

Irene Prothroe: Banff Centre files

Series consists of materials related to Irene Prothroe's activities with the Banff Centre. Irene Prothroe to teach at the Banff Centre by David Cameron on Gordon Peacock's recommendation. She taught at the Centre for seventeen years from 1958 to 1970, serving as the Head of the Theatre (1969-1970) and the Musical Theatre Division (1970-1974). Irene was instrumental in the mounting of musical theatre productions at the Centre.