74 résultats avec objets numériques Afficher les résultats avec des objets numériques
The fonds consists of four series: personal photographs of Clarence and Edith Field; glass plate negatives and portraits from the Ponoka Studio; studio portraits and town/farm snapshots from the Grande Prairie Studio; and a small series of postcards.
Sans titre
Fait partie de Field's Studio fonds
Clarence Field on a motorized bicycle in the early 1900s.
Fait partie de Field's Studio fonds
Living room of the Field farm home with Clarence and his dog sitting on the day bed.
Hobbema First Nations Family Group
Fait partie de Field's Studio fonds
Michael Buffalo's family from the Hobbema First Nations in Central Alberta, left to right: Bella, Mary (Nepoose) Buffalo, Margaret, possibly Peggy (Allard) Buffalo, Michael's mother.
Hobbema First Nations Portrait
Fait partie de Field's Studio fonds
Formal portrait of a man from the Hobbema First Nations in Central Alberta. He sits in a moose antler chair wearing a feather headdress and holding a rifle in his left hand and a pistol in his right hand.
Fait partie de Field's Studio fonds
Snapshot of a casually dressed man holding the halter of a horse, with fences, trees and open pasture in background.
Fait partie de Field's Studio fonds
Snapshot of two moose calves on the bank of the Smoky River
Fait partie de Field's Studio fonds
The sub-series consists of various kinds of studio portraits of individuals, couples, families and groups. Some of them include the use of props and uniforms (e.g. sports/work). Most of them are unidentified.
Fait partie de Field's Studio fonds
Portrait of Mary Roberta Carney, 16 years of age.
Fait partie de Field's Studio fonds
Head & shoulders portrait of Minnie Nelson, from Bezanson.
