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The fonds consists of constitution, minutes, publicity and membership correspondence, programs, scrapbooks, and a recording of member's performances. Includes a biography of the first honorary member, Gladys Flint McLennan.

The fonds consists of records produced by the Edmonton Weavers' Guild (EWG) from their inception to 2012 and represents the activities and functions of the EWG. The records include minutes, correspondence, reports, membership lists, clippings, applications, financial records, and issues of the EWG’s newsletter, Webs and Wheels. The correspondence highlight the EWG's interactions with various art institutions and organizations including the Alberta Arts Council, Canadian Craftsmen Association, Hand Weavers, Spinners and Dyers of Alberta, University of Alberta's Department of Art and Design, Alberta Art Foundation, Canadian Crafts Council, Association of Northwest Weavers Guild, along with many other weavers' guilds throughout Canada and the United States.

The fonds also consists of the EWG by-laws, a file on the history of the EWG complied by Helen Bentley, and a history of weaving in Alberta from 1945. Included in the fonds are 8 colour photographs of wall pieces designed and woven by Grace Raitt and 1 photograph of a woven design attached to a greeting card.

Fonds consists of correspondence; notebooks; manuscripts of poems, poetry collections, novels, essay collections, articles, book reviews, essays, conference papers, interviews and prose from rob mclennan's blog; editing and publishing files; material relating to Factory (West) Reading Series; articles, interviews, reviews and other material about r. mclennan; works by others; and miscellaneous materials of interest collected by r. mclennan.

The fonds consists of records relating to the operation and activities of the Grande Prairie Guild of Artists. The records include incorporation documents and bylaws, minutes, agreements, financial statements, ledgers, miscellaneous financial records, membership lists, correspondence, newsletters, show and course information, art inventories, artists’ biographies, promotional material, newspaper clippings, photographs and slides of the Guild and its activities, and a video clip profiling the Guild.

The records have been arranged by the Archivists by content and chronology into the various series and files. Because the records came from so many individual sources, the overall original order of the records had been obscured. The Archivists imposed the order now shown by the records.

The records are divided into six series: Administrative Records, Financial Records, Membership, Communications, Programs and Events, and Associated Organizations.

The fonds consists of minutes, newsclippings, and other records related to the activities of the group.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of Sharon Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of: correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills, programmes and reviews; works about S. Pollock including biographical material, interviews and newsclippings; and 3 videocassettes of various play productions.

The fonds consists of hand painted cards with street scenes of Edmonton painted by Reg and sent to friends and family at Christmas. It also includes the notes sent with the card outlining details of the scenes and Reg’s memories of Edmonton.
Cards and accompanying notes include:

• 98 St. Looking East Down Jasper Avenue (EAA-25-1),
• Jasper Avenue Looking North and East, including Brighton Block, Kenmo Lodge, The Hub Hotel, Gem and Georgia Baths (EAA-25-2),
• Jasper Avenue with the Hub Hotel and Georgia Baths (EA-25-3),
• 97th Street and Jasper Avenue, including Dreamland Theatre and Mite Block (EAA-25-4),
• Edmonton’s 5 Way Intersection, including Alex Taylor school and the Checker Lunch (EAA-25-5),
• Winter Snowfall 1942 (EAA-25-6),
• C. Woodward Ltd. Building (EAA-25-7),
• The Tegler Building (EAA-25-8),
• The Gibson Block (EAA-25-9),
• Metropolitan Stores (EAA-25-10)
  The accompanying notes are in MS-152, f. 1.

Fonds consists of correspondence with authors, editors, publishers and educators and on various subjects as well as editorial correspondence relating to Biblioasis and Canadian Notes & Queries; notes and various drafts of novels, short stories, prose, essays and memoir; documentation relating to anthologies edited by J. Metcalf and manuscripts and other material relating to J. Metcalf's editorial work for Biblioasis and Porcupine's Quill; notebooks, scrapbooks, photographs and sound recordings including readings and discussions by the Montreal Storyteller Fiction Performance Group; works on J. Metcalf including awards; published works; and works by others.

The fonds consists of newspaper columns written by Nancy primarily for the Calgary Herald, and research material compiled while writing her books on graveyards, the Famous Five, weddings and underwear. Includes minutes and committee records related to her work with the Famous 5 Foundation.