The fonds consists of records resulting from the overall management and direction of art programming, including finances, programs, planning, services, faculty and staff, facilities, awards and scholarships, travel, marketing, the Banff Festival of the Arts, and the Banff Television Festival. The fonds has been divided into the Manager of Visual Arts sous-fonds, and the Arts Administration sous-fonds, which includes the records of the Manager of Performing Arts (1971-1977).
The fonds consists of material relating to the planning and proceedings of The Tuning of the World conference. The fonds is divided into five series which reflect the many items found in the fonds. materials in this fonds include procedural files including correspondence, budgets, reports, and planning documents belonging to Tuning of the World Conference Director Timothy Buell and Conference Administrator Annie Hillis. The fonds also includes photographs and recordings relevant to the conference.
Fonds consists of records generated as part of Action Poetry ‘94, a symposium and workshop of the spoken word. Records include video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographic contact sheets, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events.
Collection consists of yearbooks (1953-1960), newsletters (1971-1996), handbooks for staff, faculty, and participants (1972-1997), artist directories (1980-1997), literary and visual arts journals (Free-Fall 1974-1984; Banff Letters 1982-1986; Pieces 1984; Passages 1989-1992; On the Border 1990), and program calendars (1934-).
Fonds consists of material relating to Madsen's career at the Banff Centre. Materials in the fonds include correspondence, newspaper clippings, event invitations, Banff Centre promotional materials and photographs.
Fonds consists of material relating to Loubet’s artistic and professional practice, and especially to the projects documenting the epic story singers of the Kawachi area (Osaka Prefecture) (Kawachi Ondo, Goshiu Ondo, Senshu Ondo). The fonds is divided into six series based on various projects reflected in the fonds. The material in the fonds includes sound recordings (produced by Loubet), video documentation, digital photos, software that contains the Cyber Kawachi project, a graphic score and promotional material.
The collection consists of records aquired by the Association of Canadian Women Composers archives. The materials, which include musical scores and sheet music, concert programs and flyers, media clippings, and sound recordings, were donated by ACWC members. They document the activities and contributions of women composers in Canada and elsewhere. Records consist of two series: Composer Files containing materials that relate to a single composer subject, and Other Materials containing records that relate either to multiple composers or to the subject of women composers more generally.
Fonds consists of records generated by the Association of Canadian Women Composers (ACWC), including the Association’s formation and its subsequent activities. The bulk of the records concern the administration of the Association itself and address issues related to governance, financial management, and member recruitment. Other records concern the Association’s public activities, including sponsorship of concerts featuring works by Canadian women composers and other public initiatives intended to increase awareness of and provide support for Canadian women composers. Records include correspondence, financial records, minutes, publications, press releases, media clippings, membership records and other material.
Fonds consists of material relating to Southam's professional life, and personal interests. The fonds is divided into ten series which reflect the many items found in fonds. Materials in the fonds include recordings (both by Southam and by others), scores (both by Southam and others), programmes, articles about Southam, photographs (personal and professional), material used by Southam in mixed-media presentation, and other material.
Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.
