Showing 52 results

The fonds consists of records generated by the Indigenous Arts Program from 1996 to 2016, as well as records generated by the AFVAA from 1991 to 1999. Fonds consists of administrative and program files for the AFVAA, the Aboriginal Women's Voices program, the Indigenous Choreography and Dance Residency program, An Aboriginal Journey with Brecht...A Theatre Workshop, the Creation of New Works Residency program, Writing for Series Television: A Screenwriting Workshop for Aboriginal Storytellers, the Indigenous Writing Program, Diverse As This Land, Hi-Rez Storytelling, Re(Claim), and National Indigenous Peoples Days. Other file types include photographs, production books, scripts, music and lyrics, and sound and video recordings.

Fonds consists of twelve series: Aboriginal Film and Video Art Alliance files (AB1.), Indigenous Arts Program reports (AB2.), Indigenous Arts Program promotion and publicity files (AB3.), Indigenous Arts Program photographic materials (AB4.), Indigenous Arts Program production and stage management books and files (AB5.), Indigenous Arts Program scripts, music, and lyrics (AB6.), Indigenous Arts Program video and CD release forms (AB7.), Indigenous Arts Program grant files (AB8.), Indigenous Arts Program administrative files (AB9.), Indigenous Arts Program video recordings (AB10.), Indigenous Arts Program sound recordings (AB11.), Indigenous Arts Program miscellaneous files (AB12.)

Collection consists of programs for performances sponsored by the Centre.

The collection consists of a broad range of records and media generated throughout all stages of the 1982 Canadian Everest Expedition, from the advance promotional and logistical preparations in Canada and Nepal through to the realization of the expedition in Nepal, and post-trip presentations within Canada. These materials were primarily assembled by Jim Muir, whose Montreal-based company Programmed Communications Limited was in charge of organizing and maintaining the expedition’s photographs and slides, as well as developing presentations and other promotional activities.

The collection is divided into 6 series and two sous-fonds, with the arrangement reflecting the diversity of the types of materials accumulated, as well as the organization of Muir’s own administrative files. The collection includes Muir’s correspondence and administrative papers from the expedition, press clippings and selected publications related to the expedition, photographs and slides taken by expedition team members and other press affiliates in Canada, Nepal, and on other training climbs around the world, film and video (both raw footage shot in Nepal by expedition members, as well as news programs and promotional presentations), and a vast selection of audio material (both field recordings and Base Camp transmissions, as well as more-formally produced presentations and radio programs). One sous-fonds contains oral history interviews that archives practicum Abigail Sebaly has conducted with expedition team members and affiliates in 2018.

Fonds consists of annual reports, curatorial administration files, exhibition files, and audio and video recordings

Fonds consists of records related to the 1966 ascent of Alpamayo in Peru, and the film The Magnificent Mountain produced about the expedition. Material includes copies of the film, correspondence regarding the film and its transfer to VHS, a photo of the Mario Bello trophy, published material about the expedition, and Ned Kelly's obituary.

The fonds consists of records resulting from the overall management and direction of art programming, including finances, programs, planning, services, faculty and staff, facilities, awards and scholarships, travel, marketing, the Banff Festival of the Arts, and the Banff Television Festival. The fonds has been divided into the Manager of Visual Arts sous-fonds, and the Arts Administration sous-fonds, which includes the records of the Manager of Performing Arts (1971-1977).