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The fonds consists of four series: personal photographs of Clarence and Edith Field; glass plate negatives and portraits from the Ponoka Studio; studio portraits and town/farm snapshots from the Grande Prairie Studio; and a small series of postcards.
Field, Clarence
Part of Field's Studio fonds
The series consists of formal portraits and snapshots of Edith Wilber and Clarence Field from early adulthood until mid-life. Some of them include props as if they were Field’s portraits, others are experimental. There is also one portrait of Dora Cordray, the child they adopted while in the Peace Country.
Part of Field's Studio fonds
Full-length portrait of Edith Wilber as a young adult. She later married C. W. Field and moved to Grande Prairie in 1922.
Part of Field's Studio fonds
Snapshot of Clarence Field as a young adult.
Part of Field's Studio fonds
Nursing Graduation portrait of Edith Wilber in nurses uniform.
Part of Field's Studio fonds
Clarence Field on a motorized bicycle in the early 1900s.
J.O.C. Reunion, West Unity Ohio
Part of Field's Studio fonds
Reunion portrait of the J.O.C. in Ohio. Back row (L to R): Nettie Allen Rings, Sadie Hughes Randels, Edith Wilber Field, Nellie Runnion, and Ella Blake Quay. Middle row: Jennie Ritchey and Dollie Kenyon. Front row: Etta Shilling, Edna Runnion, and Lizzie Davidson.
Part of Field's Studio fonds
Head & shoulders portrait of Edith Wilber Field about the time she lived in Grande Prairie, Alberta.
Part of Field's Studio fonds
Edith Field's mother, Mrs. Wilber, lived with the Fields on their homestead north of Bezanson.
Clarence Field in Sealskin Suit
Part of Field's Studio fonds
A "prop" photograph showing Clarence Field dressed in sealskin as a hunter, with gun ready across his knees, and seated in a moose-horn chair.
