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The fonds consists of the minute book and cash book of the Tulliby Lake Road Association, 1938-1941.

The fonds consists of images that depict multiple members of the Brimacombe family from the earliest years of their presence in Alberta to the end of the Second World War. There are also multiple images of various sites around Vermilion, events, and farming.
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Sites include multiple buildings in Vermilion, the exterior and interior of the Brimacombe Brothers store, the interior and exterior of the Breage and Vermilion post offices, Brimacombe homesteads and farms, and unidentified sites in England related to the Brimacombe family. There are also images of events such as hockey games, baseball games, picnics, community gatherings, ice-skating, and family get-togethers. Most of the images feature people or events but there are also some landscape shots and images of flora and fauna around Vermilion.
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The remaining material consists of seven cigarette cards, which are small prints that were distributed in tea and cigarette boxes in England from the late 19th century through the early decades of the 20th century. Cards were printed in thematic series and were collected. These seven cards were part of a series of 50 cards related to gardening and were issued in 1938 by the Imperial Tobacco Company.

The records consist of material created through the presentation of performances and celebrating the 10th anniversary of the choir. The records include programs, correspondence, newspaper clippings and audiovisual materials.

The fonds consists of operational files of L'Unithéâtre and its predecessors, Théâtre français d'Edmonton and Boîte à Popicos, including meeting minutes, financial records, project description, and annotated theatrical scripts.

The fonds consists of genealogical materials, certificates, negatives and an illustration series depicting early French-Canadian life.

The item is a letter from Pierre Montgane to the Association Canadienne-Française de l'Alberta, mentioning Bishop Grandin, René Lemarchand and the Percheron family.

The records are composed of personal diaries (1947--1987), personal correspondence (1927--1986), a notebook with natural diets and remedies, birth certificates and an annotated and indexed photo album.

The fonds contains financial records of the association.

The fonds consists of recipe collections that were assembled by Serediak for her home economics classes. These recipes were compiled over many years and contain annotations by Serediak. There are also certificates, diplomas, and other evidence of Serediak's education and teaching career as well as some records related to Serediak's family history (including a Polish passport and birth certificate of a presumed relative).

The fonds consists of production files, raw footage, and master tapes related to the production of Pretty Ladies, Fast Horses. The textual records include contracts, release forms, correspondence, scripts, budgets, financial information, shot lists, interview transcripts, and shooting schedules.

The audiovisual records include interviews with several subjects, footage of ranch work/life, footage of rodeos, and footage of the specific subjects of the documentary. The video footage is comprehensive in documenting ranch and rodeo life and extends beyond the immediate subject of the production. Subjects included in the footage include trick riding, cattle roping, cattle branding, barrel racing, bronco riding, rodeo culture, day-to-day work on cattle ranches, rodeo practice, among others.