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The fonds consists of Peter's reminiscences as told to Henry T. Thompson.

The fonds consists of family correspondence (1930s-1970s), diary (1946-1954), incoming correspondence (1920s-1940s), speeches, newspaper clippings, videotape, autograph books (1930s), and photo albums (including trip to England).

The fonds consists of correspondence, sketches, photographs and other records, much of which was compiled by Dawn Richardson and Katherine Swartile, which relates to Anahareo's life with Grey Owl and subsequent activities in Alberta and British Columbia, particularly related to the promotion of her book and of Grey Owl's significance.

The fonds consists of slides (536) and negatives (495) for photographs, taken by McCowan, which he used in his lecture tours. The views include Banff, mountains scenery, lakes, rivers, flowers, plants, birds and animals in the Canadian Rockies. There are also extensive images of the Stoney people, especially during Banff Indian Days.

The fonds consists of photographs of Waterton National Park (1927-1929) including the Prince of Wales Hotel, and Blood and South Peigan (1924-1940).

The collection consists of interviews with Rosie Ayoungman, Mrs. Richard Brass, Little Chief, Paul Wolf Collar, Joe Cat Face, Mary Many Guns, Ben Calf Robe, Amos Leather, Cyril Olds, Jack Kipp, and One Gun about the Blackfoot language, legends, tobacco dance, snake lodge, owl lodge, tipi designs, coyote songs, crazy dog ceremonies, Crowfoot and Treaty 7 signing, and other subjects, with some translations by Emily Duckchief (1950s-1973); interview with Hugh Dann about Buffalo Child Long Lance; Blackfoot music (including commentaries) recorded at Crowfoot Residential School, Cluny (1956-1957); Blackfoot songs recorded by the A-1 Club, Cluny; and photographs of a Blackfoot sun dance (1965?), and pupils at Old Sun school (1956).

The fonds consists of constitution and bylaws; minutes (1943-1971); correspondence (1931-1963); submissions to the Joint Committees on Indian Affairs (1946-1947, 1959-1960); recording of a meeting held at Morley (1958); photographs of meetings and reserves; and miscellaneous reports, reference material, newsclippings, circulars and a poster. Includes Hugh A Dempsey's research material about the organization (1969-1961); Ruth Gorman's correspondence and reports (1956-1987); minutes of the Friends of the Indians Society (1956-1957); minutes of the Advisory Board to IAA (1957-1968); and response of the Association to the Government of Canada's white paper on Indian policy.

The collection consists of amateur and professional film and video recordings relating to the history of the South Peace River Country of Alberta. These films and videos were donated by various donors to South Peace Regional Archives after it was established in 2000, and are not associated with a fonds. Recordings range in date from 1937-2006 and cover a range of subjects.

The fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.

The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).

The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.

The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.

The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.

The fonds consists of correspondence with political figures, and other articles.