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The collection consists of two films: A New Rose in Alberta (1961), produced by the Canadian Oil Companies Ltd., is an industrial film about White Rose gasoline. An Invitation to the Future (1966), produced by the Southern Alberta Institute of Technology (SAIT), is a promotional film about SAIT and its programs.

The fonds consists of personal records created by the past presidents of DKG, Alberta in pursuance of their role as head of the Executive of the provincial organization of the Society. Also included in the fonds are the administrative records of DKG, Alberta, records which were created in the process of coordinating the many activities and events that are organized and attended by the executive branch of the organization.

The fonds consists of records created by Bhatia through his work promoting multiculturalism in Canada and strengthening ties between Canada and India. The majority of the fonds is comprised of records created through Bhatia’s work to promote multiculturalism in Canada, as well as some personal material regarding his family. Parts of the fonds have been arranged into two series: Link Newspaper series; and Court of Canadian Citizenship series. This arrangement is based on Bhatia’s own filing order.

The fonds consist of administrative records of the Daughters of Penelope, Calgary Chapter that documents their activities, interests, issues and commitments. The records specifically include: minutes, financial reports, correspondence, membership lists, newsletters, scholarship applications, yearbooks, and constitutions and bylaws.

The records include municipal governance, planning and administrative records including tax documents, property files, financial reports, cash ledgers, minutes, correspondence, environmental studies and development proposals, and other similar documents. These serve as evidence of the regular activities and history of The Summer Village of Island Lake since its incorporation in 1958.

Fonds consists of the administrative records of the Therien-Mallaig Mutual Telephone Company and includes correspondence, financial reports, account books, travel expenses, statements, agreements, minute books, journals, receipts and maps.

The watercolour drawing depicts Metropolitan Andrey Sheptytsky as God the Father or Creator. The draft drawing was created by Julian Bucmaniuk in 1955 for use as the basis for the decoration of St. Josaphat’s Ukrainian Catholic Cathedral in Edmonton, Alberta.

The fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.

The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).

The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.

The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.

The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.

Fonds consists of records relating to the life and work of Christina Sharon Olsen. The records include a news article from the Calgary Herald published in 2009 detailing Christina’s childhood and experience as a preoperative trans woman living and working in Alberta and overseas; report cards and photographs from Christina’s schooling in Claresholm, Alberta between 1953 and 1965; photographs documenting Christina’s work as a drilling engineer in Africa and Alberta between 1977 and 2000; and photographs of Christina’s cats and visiting wildlife to her acreage west of Calgary taken in the years after her gender reassignment surgery in 2004.

The collection consists of newsletters, notices, manuals, directories, publicity, minutes, and correspondence related to the City of Edmonton Parks and Recreation Department.