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The fonds consists of genealogical charts for Fosseneuve, Ladouceur and Auger families; scrip applications at Lac La Biche for Louison Fosseneuve (July 19, 1886); Fort McMurray Banner newspaper from May 28, 1965 with obituary of Joseph Shott; Canadian Geographical Journal, Feb, 1932 contains the article" Scow brigade on the Athabaska" by F.J.Alcock; the 1985 English 30 paper by Ben Heslop named "The untold legend of Captain Shot"; copies of newspaper articles including (Aug.24, 1899 Edmonton Bulletin), (March 26, 1914 Athabasca Times reprint of Emerson Hough's Saturday Evening Post article re: Running the Grand Rapids), (May 21, 1914 Athabasca Times and May 22, 1914 Northern News re: Fosseneuve's death); excerpts from 1908 and 1911 Oblate annals and four photographs of Louison, his son Joseph, and Joseph's family.
"A Tale of Two Brothers - Louison & Francois Fosseneuve: Descendants of Jean-Baptiste Fosseneuve," 2016

This material consists of textual and audiovisual records created over the course of Radford’s career, including material created under the Filmwest Associates, Great North Productions, Great Plains Productions, White Pine Pictures, and Clearwater Documentary labels.

    The material includes records related to completed projects such as Inuit Odyssey, Tar Sands, A Scattering of Seeds, The Power of Dreams, The End of Evolution, Ernest Brown: Pioneer Photographer (including audio reels of interviews with early Edmonton photographer Gladys Reeves), Hockey Night in Harlem, Ma Vlast, The Honour of the Crown, Arctic Dreamer, Great Lodges of the Canadian Rockies, The Great Divide, Road of Bones, Alberta Bound, Codebreakers, Roughing It: A Golfer’s Guide to the Universe, and Tipping Point.  These records include job files, production stills, scripts, camera tapes, and some masters.  There are also numerous records related to incomplete projects, unsolicited script submissions, and administrative records from Great North Communications, Clearwater Documentary, and Great Plains Productions.

The fonds contains research papers, lecture notes, research notes taken for his dissertation, papers from Tobias’ teaching career at Red Deer College, court case files from his time as a subject matter advisor, high school memorabilia, and recordings of lectures and presentations.

The fonds consists of correspondence, circulars, reports, and other papers related to her activities with these and other organizations: Calgary Indian Friendship Society (1970-1976), Calgary Native Friendship Society ((1983-1986), Indian Events Committee of the Calgary Stampede (1968-2010), Calumet Indian Club (1960-1963), Canadian Association of Indian and Eskimo Education (1969-1972), Indian Students' University Program (1972-1976), Project Go Ahead (1968-1971), Progressive Conservative Party (1966-1977), and the University of Calgary Senate (1973-1979).

The fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.

The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).

The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.

The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.

The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.

These records consist of a copy of Fires of Spring on 16mm film and a DVD copy of the same title. Fires of Spring is a 1978 documentary produced by the University of Alberta about the use of controlled fires for agricultural management. The film specifically focuses on the use of controlled fires by First Nations people in northern Alberta and features interviews with members of the Cree, Beaver, Dene, and Chipewyan nations regarding the traditional use of fire in land management. The film also features several University of Alberta faculty members discussing the importance of the practice.

The fonds consists of Kirkness family photographs and personal papers depicting their life and their impact on the development of the Edmonton and Peace River areas. Several of the personal documents belonged to Edith Heron.

The collection consists of amateur and professional film and video recordings relating to the history of the South Peace River Country of Alberta. These films and videos were donated by various donors to South Peace Regional Archives after it was established in 2000, and are not associated with a fonds. Recordings range in date from 1937-2006 and cover a range of subjects.

The fonds consists of copies of 43 photographs of the Calliou, Belcourt and Ferguson families and their descendents, and one oral history interview with Vera Davis Miles, daughter of Mary Belcourt Davis, and Cindy Desrosiers, daughter of Evelyn Davis. The interview tells the story of Mary Belcourt and her mother Betsy Calliou.

The fonds consists of research materials relating to Peigan history and the Marias Massacre.