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Collection consists of promotional posters for Centre events and series.

Fonds consists of material related to the planning and administration of the Banff International String Quartet Competition. It includes administrative records, audio recordings (of quartet performances, events, and radio broadcasts of the competition), the scores of works commissioned to serve as the competition's imposed piece, promotional material (including programs, posters, and merchandise), photographs (of the performing quartets, jury members, and competition events), and video recordings (of performances, events, and interviews). The fonds is arranged into series for each iteration of the competition, as well as a series of general administrative material, which pertains to the competition as a whole.

The fonds consists of records generated by the Indigenous Arts Program from 1996 to 2016, as well as records generated by the AFVAA from 1991 to 1999. Fonds consists of administrative and program files for the AFVAA, the Aboriginal Women's Voices program, the Indigenous Choreography and Dance Residency program, An Aboriginal Journey with Brecht...A Theatre Workshop, the Creation of New Works Residency program, Writing for Series Television: A Screenwriting Workshop for Aboriginal Storytellers, the Indigenous Writing Program, Diverse As This Land, Hi-Rez Storytelling, Re(Claim), and National Indigenous Peoples Days. Other file types include photographs, production books, scripts, music and lyrics, and sound and video recordings.

Fonds consists of twelve series: Aboriginal Film and Video Art Alliance files (AB1.), Indigenous Arts Program reports (AB2.), Indigenous Arts Program promotion and publicity files (AB3.), Indigenous Arts Program photographic materials (AB4.), Indigenous Arts Program production and stage management books and files (AB5.), Indigenous Arts Program scripts, music, and lyrics (AB6.), Indigenous Arts Program video and CD release forms (AB7.), Indigenous Arts Program grant files (AB8.), Indigenous Arts Program administrative files (AB9.), Indigenous Arts Program video recordings (AB10.), Indigenous Arts Program sound recordings (AB11.), Indigenous Arts Program miscellaneous files (AB12.)

Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.

Fonds consists of material relating to Loubet’s artistic and professional practice, and especially to the projects documenting the epic story singers of the Kawachi area (Osaka Prefecture) (Kawachi Ondo, Goshiu Ondo, Senshu Ondo). The fonds is divided into six series based on various projects reflected in the fonds. The material in the fonds includes sound recordings (produced by Loubet), video documentation, digital photos, software that contains the Cyber Kawachi project, a graphic score and promotional material.

Collection consists of yearbooks (1953-1960), newsletters (1971-1996), handbooks for staff, faculty, and participants (1972-1997), artist directories (1980-1997), literary and visual arts journals (Free-Fall 1974-1984; Banff Letters 1982-1986; Pieces 1984; Passages 1989-1992; On the Border 1990), and program calendars (1934-).

The fonds consists of material relating to the planning and proceedings of The Tuning of the World conference. The fonds is divided into five series which reflect the many items found in the fonds. materials in this fonds include procedural files including correspondence, budgets, reports, and planning documents belonging to Tuning of the World Conference Director Timothy Buell and Conference Administrator Annie Hillis. The fonds also includes photographs and recordings relevant to the conference.

Fonds consists of records generated as part of Action Poetry ‘94, a symposium and workshop of the spoken word. Records include video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographic contact sheets, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events.