Subfonds ID-WIM - "Women in Music" records

Event flyers and programs

Title and statement of responsibility area

Title proper

"Women in Music" records

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Subfonds

Reference code

pfla ID-ID-WIM

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • 1989-1997 (Creation)
    Creator
    Women in Music

Physical description area

Physical description

14 cm of textual records
11 10 inch reel to reel tapes
1 audiocassette tape

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1990-?)

Administrative history

In the 1980s, Ina Dennekamp founded a British Columbia wing of the Association of Canadian Women Composers (ACWC). Along with about a dozen BC women composers this organization produced an annual concert series. However, in the early 1990s, Ina decided there was a need to broaden the base of the organization beyond composers, and to represent the interests of all women involved in the music world (musicians, composers, journalists, etc). Furthermore, the members of the BC wing were feeling alienated from a Toronto-based organization, and hoped a local organization would better suit their needs.

With these concerns in mind, the BC wing of the ACWC was formally dissolved in June 1990, and replaced with the Society for Women in Music. The founding members of the organization were: Jeannie Corsi, Ina Dennekamp, Bonnie Ferguson, Sherilyn Fritz, Anita Perry, Sylvia Rickard, and Anita Sleeman.

The new group was established to be “a resource and education organization that aims to increase the contribution and recognition of women in all aspects of music”. To that end, the Society created a bursary fund, produced (or co-produced) several public musical events which promoted the work of women composers and musicians, hosted workshops and conferences, produced a newsletter and established a resource centre.

Custodial history

Scope and content

Subfonds consists of material relating to the Society for Women in Music (WIM). WIM was established as a networking and resource group for women employed in music, and the records in this subfonds detail their activities. The subfonds contains the administrative records of the group, as well as recordings of concerts sponsored (or co-sponsored) by WIM.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Generated finding aid

Associated materials

Accruals

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Level of detail

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres